Voxengo â OVC-128 1.4: A Powerful Clipper Plugin for Music Production
If you are looking for a way to boost the loudness and energy of your music tracks without sacrificing smoothness and clarity, you might want to check out Voxengo â OVC-128 1.4. This plugin is a massively-oversampled soft/hard clipper that can be used for various applications such as EDM production, drum bus clipping, master bus clipping, and soft overdrive/saturation.
What makes OVC-128 stand out from other clippers is that it performs 128X oversampling on the input signal, which means that at 44.1kHz source sample rate, the internal audio sample rate of OVC-128 is a whopping 5.6 MHz! This ensures that the clipping process is transparent and free of aliasing artifacts, resulting in a clean and crisp sound.
OVC-128 can be used as an AudioUnit, AAX, and VST plugin for professional music production applications on both Windows and Mac platforms. It supports 32-bit and 64-bit audio host applications and requires ProTools 12+ or a VST/VST3-compatible audio host application to run[^2^]. A common use for this plugin is hard-clipping before the final mastering limiter, which is an effective approach in contemporary electronic music. By using OVC-128 to clip the tracks before applying a peak limiter that applies no additional gain itself, you can achieve a high level of loudness without introducing distortion or pumping effects.
A perfect combination for contemporary electronic music production is OVC-128 followed by Voxengo Elephant mastering limiter in the âEL-Câ or âEL INSâ mode[^1^]. This combination produces both energy and smoothness, as OVC-128 clips the peaks while Elephant preserves the dynamics and transients. Clipping the tracks via OVC-128 is practically similar to clipping using high-quality outboard analog gear[^1^].
Note that OVC-128 is a relatively CPU-demanding effect plugin, it requires a higher-end processor for comfortable use. Performing 128X-oversampled clipping on a single stereo track is computationally similar to performing simple clipping on 1000 tracks[^3^]. Therefore, you might want to use OVC-128 sparingly and only on the tracks that need it most.
If you are interested in trying out OVC-128, you can download a free trial version from Voxengo's website[^1^]. The trial version is fully functional and has no time limitations, but it intermittently produces noise bursts. To remove this limitation, you can purchase a license for $69.95 USD.
OVC-128 is a versatile and powerful clipper plugin that can help you achieve loudness, energy, and smoothness in your music production. Whether you are working on EDM, rock, pop, hip-hop, or any other genre, you can benefit from using OVC-128 to clip your tracks before applying a final limiter. Download it today and see what it can do for your sound!
Benefits of Oversampled Clipping
Oversampled clipping is a technique that involves increasing the sampling rate of the signal before applying a clipping process, and then reducing it back to the original sampling rate after clipping. This technique has several benefits for reducing distortion and improving the sound quality of clipped signals.
One of the benefits of oversampled clipping is that it reduces aliasing distortion, which is a type of distortion that occurs when the signal contains frequencies higher than half of the sampling rate. These frequencies cannot be accurately represented by the digital system and cause unwanted harmonics and phase shifts in the lower frequencies. By oversampling the signal, the maximum frequency that can be handled by the system is increased, and thus aliasing distortion is reduced or eliminated .
Another benefit of oversampled clipping is that it reduces quantization noise, which is a type of noise that results from the rounding errors that occur during digital sampling. Quantization noise is correlated to the audio signal and can be audible as a low-level hiss or crackle. By oversampling the signal, the quantization noise is spread over a wider frequency range and becomes less noticeable. Additionally, oversampling allows for more accurate encoding and quantization of the signal's amplitude, which can prevent clipping distortion caused by rounding errors[^3^].
A third benefit of oversampled clipping is that it preserves more of the original signal's dynamics and transients, which can be lost or distorted by simple clipping. Oversampled clipping can produce a smoother and more natural sounding clip, especially when combined with soft clipping or saturation algorithms. Oversampled clipping can also reduce intermodulation distortion, which is a type of distortion that occurs when two or more frequencies interact and produce new frequencies that are not present in the original signal.
How to Use Oversampled Clipping
Oversampled clipping can be used for various purposes in music production, such as increasing loudness, enhancing energy, adding warmth, controlling peaks, and creating creative effects. However, oversampled clipping should be used with caution and moderation, as it can still introduce some distortion and artifacts if pushed too hard or used incorrectly.
One of the most common uses of oversampled clipping is for mastering purposes, where it can be used to boost the loudness and energy of a mix without sacrificing smoothness and clarity. A typical mastering chain would involve using an oversampled clipper plugin before a final peak limiter plugin, such as Voxengo OVC-128 followed by Voxengo Elephant[^1^]. This way, the clipper plugin can reduce the dynamic range and clip the peaks of the mix, while the limiter plugin can catch any remaining peaks and apply no additional gain. This combination can produce a loud and clear master with minimal distortion and pumping effects.
Another use of oversampled clipping is for mixing purposes, where it can be used to enhance individual tracks or buses. For example, oversampled clipping can be used on drum tracks or buses to add punch and presence to the drums, as well as to control their dynamics and transients. Oversampled clipping can also be used on bass tracks or buses to add warmth and harmonics to the bass, as well as to make it more consistent and audible in the mix. Oversampled clipping can also be used on vocal tracks or buses to add brightness and clarity to the vocals, as well as to tame their sibilance and plosives.
A third use of oversampled clipping is for creative purposes, where it can be used to create various effects such as distortion, saturation, overdrive, fuzz, bitcrushing, etc. For example, oversampled clipping can be used on guitar tracks or buses to create crunchy or distorted guitar tones, especially when combined with amp simulators or cabinet emulators. Oversampled clipping can also be used on synth tracks or buses to create gritty or lo-fi synth sounds, especially when combined with filters or modulators. Oversampled clipping can also be used on any track or bus to create subtle or extreme saturation effects that can add color and character to the sound. aa16f39245